Entities: The Concepts and Post-Object Exhibitions (2024)
Installation view, Adelaide Contemporary Experimental. Photography by Sam Roberts.
Opening Night event documentation, Adelaide Contemporary Experimental. Photography by Peter Fong.
VIP Preview event documentation, Adelaide Contemporary Experimental. Photography by Peter Fong.
Collection Intervention (2018)
Installation views, Rockhampton Museum of Art.
Exhibition collateral, Rockhampton Museum of Art. Design by Marketing Mafia.
Alluvia by Tom Borgas (2017)
Installation view, Rockhampton Museum of Art.
I moved on until I went back (2015)
Installation view, University of Applied Arts Vienna.
Coming into Fashion: A Century of Photography at Condé Nast (2017)
Installation view, Rockhampton Museum of Art.
Opening Night event documentation, Rockhampton Museum of Art.
Exhibition collateral, Rockhampton Museum of Art. Design by Marketing Mafia.
IMMATERIAL LABOUR (SKATEBOWL/PROUNROOM): Pat Hoffie (2014)
Installation view, Ipswich Art Gallery.
Madonna Staunton: Selected works (2012)
Installation view, Ipswich Art Gallery.
The Freeman Gallery Collection (Permanent collection hang)
Installation view, Ipswich Art Gallery.
Mark Kimber (2013)
Installation view, Ipswich Art Gallery.
Industrial Zen: Kim Demuth (2015)
Installation view, Ipswich Art Gallery.
Brynhyfryd: The lost castle of Blackstone Hill (2015)
Installation view, Ipswich Art Gallery.
TapeScape (2016)
Installation view, Ipswich Art Gallery.
Ellis Rowan: Flower Hunter (2013)
Installation view, Ipswich Art Gallery.
Richard Stringer: Works from the Collection (2014)
Installation view, Ipswich Art Gallery.
Notions of Difference: Sancintya Simpson (2011)
Installation view, Ipswich Art Gallery.
Wild Thing: Troy Emery (2012)
Installation view, Ipswich Art Gallery.
Face in a Crowd: New portraiture (2011)
Installation view, Ipswich Art Gallery.
‘Entities’ highlights the work of two, related Adelaide art spaces: the Contemporary Art Society of South Australia (CAS (SA)) and the Experimental Art Foundation (EAF).
Past practices future challenges: Exhibition-making in South Australia
This paper examples the ways exhibition-making is expanding beyond traditional frameworks and aligning with the ambitious objectives described by the discipline’s surrounding discourse.
'Always, Always, Others: Non-Classical Forays into Modernism' exhibition review
Demonstrating a polyvocal modernism, the exhibition showcases works from the vast Mumok collection with unexpected ends.
Achieving Environmental Sustainability in Preventive Conservation Practice: Learning from the National Portrait Gallery, Australia
This paper considers the NPG's measures to increase and maintain environmentally sustainable preventive conservation practices in line with accepted benchmarks and guidelines.
Museums Australasia Conference
Notes on ‘Facing the Future: Local, Global and Pacific Possibilities’ Museums Australasia Conference, Auckland New Zealand.
Gwyn Hanssen Pigott exhibition essay
Australia's most celebrated potter. Her works built on the tradition of functional ceramics and bridged the assumed divide between craft and fine art.
Exhibition and conservation: practices for handling and display
Industry accepted practices to enable continued care and access to contemporary and heritage Australian Aboriginal and Torres Strait Islander collections.
The Hermannsburg School exhibition essay
The Hermannsburg Mission was established in 1877 at the base of Mount Hermannsburg,125km west of Alice Springs, NT.
Museums Australia National Conference
Notes on ‘Connecting the Edge: within and beyond the Museum’: Museums Australia Conference, Launceston Tasmania.
Ellis Rowan exhibition essay
An emancipated woman ahead of her time, Ellis Rowan earned an international reputation as a flower painter, naturalist and adventurer in the late nineteenth and early twentieth centuries.
Numerous policies supporting public art in Brisbane has produced a central business district bursting with contemporary art in public places. While some are common sights, the best are nestled in spaces you’d be excused for missing.